Very clean, has more than enough volume to fill the stage, Full sounding amp with lots of punch, the 4-10 Jensen P10R give this amp a nice full sound that is an advatage over single and dual speaker amps

Love the Reverb but still Prefer my 1962 Fender Reverb tank when playing Surf also like the Vibrato channel as well,

Very easy for me I play alot of Surf and instrumentals, easy to use with my other products as well, as for learning curve this amp is as easy as it gets

The Amp seems to be made very well hopefully without a doubt if this amp is built like the old ones should outlast me LOL

Well we would all like to see the products that we buy for less. But when something this fun and great sounding comes along we forget about that factor and just buy it as I did

Have never had to contact Fender with this amp have had to with a Fender 1994 " Red Knob Twin " back in the 1990's and they resolved the problem with that amp very fast and good service

I am very WOW I'd by this amp Due to that it won't break my back everytime I gotta play a show My dual Showman weighed in at 80 lbs. on the speaker cab and 40 lbs on the head so the Super reverb is also a back saver too at just 65lbs.

PLAYING FOR 30+ YEARS, SEMI PRO

INSTRUMENTAL SURF ROCK

Just like the original as the speakers break in they get even better, however even though no longer in production I have a set of 4 JBL D110 speakers that I pop into my other Super Reverb and boy talk about full rich and responsive. However I would really like to see Fender equip these with Groove Tubes 6L6GE's as standard just like the originals. the 2 Guitars I play are the 1962 fender Jaguar and a 1962 Fender Stratocaster with Seymore Duncan SSL6 pickups both guitars sound incredible through this amp I love the Factory installed reverb But Being a Surf Guy I Have to have my Good ole Fender Tube Driven Portable Reverb Unit PR 263

This is a great Clean amp you can use for Surf, Jazz, Country, and with your favorite effects pedal Rock and get some distortion sounds going

Cant get much easier

The other reissue I own has been on the road well over 2 years now and still in great shape has handled the rigors of the road well

Excellent value anytime you buy an amp that goes trouble free on the road for 2 1/2 years speaks for itself

Well I would like to say I have however I have not had one issue in 2yrs and 6m with my first reissue so I think the build speaks for itself

Love the look of the amp just screams retro and sounds just as good as the original

PLAYING FOR 30+ YEARS, SEMI PRO

INSTRUMENTAL SURF ROCK

For me this amp has that rich soulful sound I love. I play blues and the clean sound with a exelent reverb is something I look for in any amp I buy.

I have played Fender Amps most of my life so the controls were vary familure.

I have had some problems with the stock 12AX7 tubes.

Active Musician

Blues, ock

It has a very clean sound,great for the 50's and 60's sounds like surf music.

It came with the footswitch which was standard,but the cover was thrown in with the purchase.

This is a very versital amp,you can play any style of music thru it with no limitations.

It is very much worth the price.

I have never had any warranty issues or had to deal with the company.

I would give this product the highest of marks.

Played in a band 23 yrs. now I play as a hobby

50-60's Rock,country and some blues

This faithful recreation of an oldie such as this legendary '65 Super Reverb re-issue amp has all the soulful features found on most built-in reverb and tremolo-effect Fender amps made in the mid-'60s: cool dark reverb and good old vintage tone! Although the late '70s models (with 100 and 135W respectively) feature a master volume/pull boost switch and a midrange control in the Normal channel for more flexibility, this '65 re-issue beefs it up with 40W of maximal power and a 4x10 speaker chassis coupled with the typical AB763 scheme.

Sonically, the '65 Super Reverb suffers of some weaknesses, especially due to the absence of a midrange control knob in the Normal channel and the fact that it had only 40W RMS, as the BF Super Reverbs made from 1963 to 1968 (and the SF models made from the end of 1968 to the beginning of 1975) are usually referred as "non-master" amplifiers, i.e. they don't have a master volume control knob between the "pilot red jewel light" and the intensity control. But it isn't any for the Silverface Supers too: CBS switched to the infamous AC568 "silverface" circuit and removed the classic "tail" outlining from the Fender amp logos in 1972 for the rest of the line, as the new "tailless" style first appeared in 1967 with the ubiquitous Bronco amplifier (a sort of VibroChamp clone with bright red labels on the shiny silver-nickel faceplate instead of the more conventional light blue ones). Otherwise, it's a pretty good amplifier and suits perfectly any kind of music styles, from the funky surf craze of the '60s to the classic '50s/'60s rockabilly/blues/rock period.

Excellent!

An excellent addition to the increasingly popular Vintage Re-issue series of American-made Fender electric guitar amps, as the Mexican factory soon take care of the Silverface amp production (Blackface amps still fare the principal object for the Corona facility's production staff).

Can't have a particular support with Fender's guys about this good old vintage amplifier yet, although there's now an obviously serious move for Fender itself to make and develop Silverface re-issues (due hopefully to the success that followed the introduction of the Vintage Re-issue series of guitars and amps in 1982) at Ensenada, Baja California, Mexico, as some of the Classic Series re-issue series of guitars, such as the '70s Stratocaster, the '69 and twin-humbucker '72 Tele Thinlines, as well as the '72 Tele Custom, popularized by the Rolling Stones' guitarist Keith Richards, are assembled and manufactured at the Mexican state-of-the-art facility.

Whether use a Blackface or Silverface version, you'll soon notice the distinct major differences between a BF and a SF Super Reverb. They share the same black tolex indeed, but they used two different types of circuit schemes: the Blackface version has the much-beloved AB763 scheme while the Silverface features the infamous AC568 circuit, giving to the Silverface line a fairly bad reputation. Also, some Silverface Super Reverbs had respectively 100 and 135W RMS of power on most models, featuring a tailless logo and sporting a master volume/pull boost switch and a 3-band EQ in the Normal channel.

Various styles

28 years active guitar player.

Surf, rock, alt country