Line 6 ToneCore MS9 Verbzilla Reverb Pedal
No longer available at zZounds
![Line 6 ToneCore MS9 Verbzilla Reverb Pedal, Main](https://cf1.zzounds.com/media/productmedia/fit,2018by3200/quality,85/ToneCorePedals-a5bcb786d3722b97bfbc83d36134c463.jpg)
![Line 6 ToneCore MS9 Verbzilla Reverb Pedal, Main](https://cf1.zzounds.com/media/productmedia/fit,2018by3200/quality,85/ToneCorePedals-a5bcb786d3722b97bfbc83d36134c463.jpg)
![Line 6 ToneCore MS9 Verbzilla Reverb Pedal, Main](https://cf1.zzounds.com/media/productmedia/fit,2018by3200/quality,85/ToneCorePedals-a5bcb786d3722b97bfbc83d36134c463.jpg)
![Line 6 ToneCore MS9 Verbzilla Reverb Pedal, Main](https://cf1.zzounds.com/media/productmedia/fit,2018by3200/quality,85/ToneCorePedals-a5bcb786d3722b97bfbc83d36134c463.jpg)
Choose from 11 great reverb models with this pedal. It features Spring, Chamber, Hall, and Plate reverb models, among many others.
Overview
Verbzilla pedal brings luscious, studio-grade algorithms right to your pedalboard. This stompbox-sized miracle has 11 amazing reverb models that are considered must-have sounds for any kind of music. Verbzilla delivers everything from classic guitar amp-style spring reverb to dreamy, high-end studio favorites right at the touch of a footswitch!
Features
Model Switch - This switch is used to select from 11 distinctly different types:
-- '63 Spring - Based on a Fender 1963 brown spring reverb head unit. Best known for great surf guitar tone!
-- Spring - Based on a studio spring reverb.
-- Plate - Based on a studio plate reverb.
-- Room - Simulates the acoustic properties of a classic echo chamber that consists mainly of early reflections.
-- Chamber - An elongated ambient space such as a hall, stairwell or elevator shaft creates this reverb type. Dreamy.
-- Hall - Simulates the sound of a concert hall or large open space with a strong reverb tail. Imagine a gymnasium, performance hall, or cathedral.
-- Ducking - Built using a 'Hall' but with a ducking effect. The volume of your reverb is "ducked" (reduced) while you're playing, and increases when you stop. This allows for clean musical passages with a touch of reverb that ramps up in volume once you stop playing.
-- Octo - Creates a lush, ambient space with a harmonized decay whose harmonic denseness is controlled by the time knob. Use volume swells and prepare to float on a cloud!
-- Cave - Surreal cavernous echo… read more chamber.
-- Tile - Emulates the acoustic reflections of a tiled room, such as a bathroom with bright early reflections.
-- Echo - Just like it says ...echo...echo...echo.
Mix - Allows you to control the amount of reverb in your signal from dry to 100% wet.
Decay - Controls how quickly the reverb tail fades to silence.
Time - Controls the length of pre-delay. This is the amount of delay before the signal hits the reverb chamber.
Tone - Allows you to adjust the tonal character of the reverb, giving you the flexibility to go from dark and subtle to bright and splashy.
Trails Switch - When switched on, Verbzilla's processing is engaged while in bypass, so reverb smoothly trails away when you kick the effect off. read less
Features
Model Switch - This switch is used to select from 11 distinctly different types:
-- '63 Spring - Based on a Fender 1963 brown spring reverb head unit. Best known for great surf guitar tone!
-- Spring - Based on a studio spring reverb.
-- Plate - Based on a studio plate reverb.
-- Room - Simulates the acoustic properties of a classic echo chamber that consists mainly of early reflections.
-- Chamber - An elongated ambient space such as a hall, stairwell or elevator shaft creates this reverb type. Dreamy.
-- Hall - Simulates the sound of a concert hall or large open space with a strong reverb tail. Imagine a gymnasium, performance hall, or cathedral.
-- Ducking - Built using a 'Hall' but with a ducking effect. The volume of your reverb is "ducked" (reduced) while you're playing, and increases when you stop. This allows for clean musical passages with a touch of reverb that ramps up in volume once you stop playing.
-- Octo - Creates a lush, ambient space with a harmonized decay whose harmonic denseness is controlled by the time knob. Use volume swells and prepare to float on a cloud!
-- Cave - Surreal cavernous echo… read more chamber.
-- Tile - Emulates the acoustic reflections of a tiled room, such as a bathroom with bright early reflections.
-- Echo - Just like it says ...echo...echo...echo.
Mix - Allows you to control the amount of reverb in your signal from dry to 100% wet.
Decay - Controls how quickly the reverb tail fades to silence.
Time - Controls the length of pre-delay. This is the amount of delay before the signal hits the reverb chamber.
Tone - Allows you to adjust the tonal character of the reverb, giving you the flexibility to go from dark and subtle to bright and splashy.
Trails Switch - When switched on, Verbzilla's processing is engaged while in bypass, so reverb smoothly trails away when you kick the effect off. read less
Specs
Power Requirements
Single 9-volt battery, or optional Line 6 DC-1 9-volt DC power supply
Size & Weight:
Width: 3.375 in.
Depth: 5.625 in.
Height: 2.875 in.
Weight: 2lbs 4oz
Single 9-volt battery, or optional Line 6 DC-1 9-volt DC power supply
Size & Weight:
Width: 3.375 in.
Depth: 5.625 in.
Height: 2.875 in.
Weight: 2lbs 4oz
Reviews
Reviewers gave this product an overall rating of 5 out of 5 stars.
(21 ratings)
Submitted July 1, 2013 by Soldiers Embryo
"Verbizilla Review"
Construction Quality: Really heavy, but the foot switch is a little fragile (My unity was bought 3 years ago and never given a problem, but I think that if something heavy hit its' footswitch, it could break). The potenciometers / knobs are perfect, rotating slowly and softly.
Sound and Feature: Great. Really transparent while the mix is lower 75%, and creates some very interesting sounds in near 100%, especially in Cave mod. I've made this ''in depth'' review that demonstrates this: http://www.youtube.com/watch?v=SZDzyaN0a2k . It works much better in stereo, if you change the mix too high on mono settings it starts to change your guitar tone (but only around 80%). Also, every mod is VERY different from the others, and all of them have the same processing quality, that is great. I think a Cross-Over parameter would be a good add on, but balancing time and decay you can achieve it. I have a Lexicon reverb, and comparing them i found out that Lexicon is not really worth the price, Verbzilla comes really close to it, and has way much more versatility (and cost/benefit, of course).
Another great thing is the trails switch in Verbzilla, that is brilliant. You can cut the reverb trail or let it resound when you turn the pedal off, a thing that is of absolute need while playing live.
So, basically, chossing it, you take studio quality reverb to your stage.
Manufactrer Support: Not needed until now.
Ease of Use: Ridiculously easy. Every parameter is self-explanatory and you can get…
read more
your first tones in seconds.
Value: Absolutely worth it.
The Wow Factor: Versatility and easy of use, without losing the quality.
Musical Background:
Playing professionally for 10 years. Bass Guitar, Guitar (eletric and acoustic), Upright Bass, Chello. Studio recording.
Musical Style:
Djent, Traditonal, Classic. read less
Musical Background:
Playing professionally for 10 years. Bass Guitar, Guitar (eletric and acoustic), Upright Bass, Chello. Studio recording.
Musical Style:
Djent, Traditonal, Classic. read less
3 of 3 people (100%) people found this review helpful. Did you?
Thanks for your opinion!
No longer available at zZounds
In most cases, a product is unavailable because it has been discontinued by the manufacturer
This is a carousel with product cards. Use the previous and next buttons to navigate.