zZounds Stage Standard Portable PA System

No longer available at zZounds
Get a powerhouse all-in-one system at a great price with the zZounds portable PA system.

Save money and hassle with this expertly-configured, bargain-priced PA package. We've taken the guesswork out of live sound by pairing great-sounding speakers with wattage-matched powered mixers, then adding some great live sound mics and all the cables and stands you'll need. By purchasing a bundle instead buying of each item individually you'll save hundreds of dollars off the regular price.

Includes:

- 1 x Behringer PMP2000 10-Channel Powered Mixer with FX (800 Watts)
- 2 x Peavey PV115 2-way PA speakers
- 2 x CBI 14-gauge speaker cables (25 ft.)
- 2 x On-Stage SS7761B tripod speaker stands
- 3 x Audio Technica ST90MKII microphones
- 3 x On-Stage microphone clips
- 3 x Whirlwind MC20 microphone cables
- 3 x On-Stage 7701B tripod/boom microphone stands

Behringer PMP2000 10-Channel Powered Mixer

The PMP2000 powered mixer delivers more power, better sound at less weight! The PMP2000 mixer delivers 800 Watts of massive power and incredible performance through new-generation amplifier technology, crystal-clear sound plus an ultra-compact and lightweight design. The 24-bit stereo FX processor, IMP mic preamps and more round off this impressive package of power features.

Get massive power and great sound in a lightweight package!

Peavey PV115 PA Speakers

Peavey proudly introduces new additions to its long-running PV Series, including mixers, equalizers, crossovers, loudspeakers and cables. The PV Series has long been the benchmark of performance and value in audio, read more and the new PV products live up to this legacy.

Features:- 2-way trapezoidal sound reinforcement enclosures
- 15 in. premium, 2-3/8 in. voice coil woofer
- RX14 compression driver with a 1.4 in. titanium diaphragm 1 in. exit
- 90 degrees x 40 degrees constant directivity horn
- Tweeter protection
- Heavy-duty crossover
- Molded-in pole mounts
- Heavy-duty metal grille

Audio Technica ST90mkII microphones

The ST90mkII is first and foremost a performance vocal mic. It features an on-off switch, plus it's a dynamic mic so it needs no phantom power -- you can use it with just about any mixer or recorder.

On-Stage SS7761B Tripod Speaker Stands

An extremely versatile speaker stand, this reversible-shaft design may be used with either 1-3/8 in. or 1-1/2 in. speaker cabinet mounts. Includes the added safety of a locking shaft pin to prevent accidental speaker slippage.

On-Stage 7701B Tripod/Boom Microphone Stands

Height adjustable mic stand comes with a durable tripod base and foldable legs for easy storage.

Features:- Solid cast end with standard 5/8-27 threads
- Long 30 in. boom with molded plastic counterweight
- Euro-Style boom with separate clutches for length and angle of boom. Allows user to make one-handed adjustments of boom angle while performing
- Professional quality die-cast zinc clutch locks vertical shaft at any height from 36 - 63 in.
- Clip-on cable holder
- Steel-reinforced plastic leg housing offers less weight and exceptional strength
- Folding legs with plastic endcaps for durability and reduced floor vibration. Base spread: 23 in.
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Behringer PMP2000
Microphone Inputs
- Type: XLR, electronically balanced, discrete input circuit
- Frequency Response: <10 Hz-100 kHz (-1 dB), <10Hz- >200 kHz (-3 dB)
- Gain: +33 dB, +8 dB with pad
- Max Input Level: +12 dBu @ +12 dB gain
- Impedance: approx. 2.2 k ohms balanced/ 1.1 k ohms unbalanced
- Signal-to-Noise Ratio: 110 dB/ 114 dB A-weighted (-11 dBu IN @ +33 dB gain)

Distortion (THD+N): 0.001% / 0.008% A-weighted

Mono Line Inputs:
- Type: 1/4 inch TRS connectors, balanced
- Impedance: approx 80k ohms balanced, 40k ohms unbalanced
- Max Input Level: 30 dBu

Stereo Line Inputs
- Type: 1/4 inch TRS connectors, unbalanced
- Impedance: approx. 40k ohms unbalanced
- Max Input Level: +28 dBu

Equalizer:
- Low: 60 Hz / +/- 15 dB
- Mid: 700 Hz-8kHz/ +/- 15 dB
- High: 6 kHz / +/- 15 dB

Preamp Outputs left/mono & right:
- Type: 1/4 inch TRS connector, unbalanced
- Impedance: approx 1.5k ohms
- Max Output Level: +21 dBu

Monitor Output:
- Type: 1/4 inch TRS connectors, unbalanced
- Impedance: 1.5k ohms
- Max Output Level: +21 dBu

Power Amp Inputs:
- Type: 1/4 inch TRS connectors, unbalanced
- Impedance: approx 47k ohms
- Max Input Level: +21 dBu

Loudspeaker Outputs
- Type: Professional speaker connectors (compatible to Neutrik Speakon)

Load Impedance:
- Left/monitor: 4/8/16 ohms
- Right/mono main: 4/8/16 ohms
- Bridge: 8-16 ohms

DSP:
- Converter: 24-bit Texas Instruments, 24-bit Sigma-Delta, 64/128-times oversampling
- Sampling Rate: 40 kHz

Amplifier (Power Amp Output):
- Power @ 4 ohms: 250 w
- Power @ 8 ohms: 165 w
- Power @ 8 ohms (Bridge): 500 w

Power Supply:
- Mains Voltage: 120 V~, 60 Hz
- Power Consumption: max 1 kW
- Fuse: T 10 A H 250V
- Mains Connector: Standard IEC receptacle

Physical/Weight:
- Dimensions: approx. 11 x 18 1/8 x 10 5/8 inches
- Weight: 30.9 lbs

Peavey PV115
- Power: 400 watts program, 800 watts peak
- Weight: 53 lbs.

On-Stage SS7761B
- 200 lb. capacity
- Adjustable height (44 - 80 in.)
- Black finish

On-Stage 7701B
- 5/8-27 threads
- 30 in. boom
- Molded plastic counterweight
- Adjustable height from 36 - 63 in.
- Steel-reinforced plactic leg housing
- Folding legs
- Plastic endcaps
-Base spread: 23 in.

For support or warranty questions, please contact the manufacturer:
Phone: 800-996-8637

Submitted August 20, 2011 by sbinc1@yahoo.com, lhowell@mcpsweb.org

"Great for use with high school students!"

Overall: 5 out of 5 stars
(see rating details)
I have been very pleased with this system. My drama students have been very easy to train in its setup and use. We use it for our plays in a small theatre that seats 400. Everyone in the auditorium is able to hear. We also lend it to our local Children's Theatre for their productions. It is holding up very well. In fact, the Children's Theatre group is saving to buy this same system. If this one was to break down, I would replace it with another one.

Sound
We have received many compliments at our drama performances for the quality of the sound system. While our primary use is in making sure the back row can hear the actors, we also use it to play music in our plays, and it does a very nice job. The Children's Theatre group that borrows our system for their shows added a couple of hang mics to the system for us.

Features
I was particularly pleased to buy a system that included everything I needed, so I didn't have to worry whether the microphones were appropriate or spend time picking and choosing from individual products to create a system.

Ease of Use
None of us were sound technicians when we bought this for our Drama Club. We've trained ourselves and several of our students to set up and operate the equipment. Once it is set up, students do all the adjusting and operating. We have connected computers and cd players to it with excellent results.

Quality read more
We bought some professional bags to store and carry our equipment (microphones and stands, not speakers). They are padded, and so far nothing is scarred. The speakers are stacked in my classroom closet between shows. If they get a little dusty, a soft cloth takes care of that.

Value
I never thought we'd get such a nice system for the money we could afford. Public schools are all about budget. Even though our club raised the money and no public funds were used, I still was required to do a comparison of what was available before purchasing.

Manufacturer Support
I have had no reason to deal with them. The product has performed very well for several years without the need of repair or service of any kind.

Musical Background:
Drama teacher and coach
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No longer available at zZounds

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