Mojave Audio MA-50 Large-Diaphragm Condenser Microphone

zZounds Gear Experts Say...

A killer first "pro" mic with the same capsule as Mojave's MA-200 in a transformerless design, the cardioid MA-50 stacks up against much more expensive mics.

Overview

The challenge? Create a transformerless microphone circuit without the inherent problems found in transformerless microphones. Technical Grammy Award-winning microphone designer David Royer has created a thoroughly modern microphone that rises to that challenge: the MA-50BLK. Designed to produce the clarity and realism that Mojave microphones are known for, at an entry level price, the MA-50BLK outperforms well-known transformerless mics costing many times more.

The MA-50BLK is the perfect microphone for pros and semi-pros alike. Utilizing the same capsule as the MA-200SN and MA-201VG, it handles the fastest transients with ease -- even up to 140 dB.

Specs

Transducer Type: Externally polarized pressure gradient capacitor
Diaphragm: 1-inch diameter, gold sputtered
Diaphragm Thickness: 3-microns
Polar Pattern: Cardioid
Frequency Response: 20 Hz- 20 kHz, + 3 dB
Sensitivity: -40 dB re. 1V/pa
Maximum SPL: 125 dB
Distortion: <0.5% @140 dB SPL
Self Noise: Better than 16 dB (A weighted)
Impedance: <100 ohms
Recommended Load: 1500 ohms or higher
Powering: 48VDC phantom power; current 2 mA.

Dimensions and Weight in Packaging
Black, MA-50BLK: Shipping Weight: 4 lbs; Shipping Dimensions: 11 x 10 x 5 in; Manufacturer Part Number (MPN): MA-50BLK
Open Box (Like New), Black, MA-50BLK: Shipping Weight: 4 lbs; Shipping Dimensions: 11 x 10 x 5 in; Manufacturer Part Number (MPN): MA-50BLK

Documents and Manuals

For support or warranty questions, please contact the manufacturer:
Web: https://mojaveaudio.com/contact-us/

Reviews

(1 ratings)

Submitted March 6, 2025 by Russell

"Great for acoustic guitars and vocals"

Overall:

(see rating details)

zZounds Employee Written by a current zZounds employee or former employee during the time of their employment.

I really enjoyed using this microphone- It provides a level of midrange detail that is worth much more than the asking price. It has plenty of cut and body, but is never harsh, too shiny, too thin, or too muddy. The vocals and acoustic guitar I tracked with it needed zero EQ to fit into the mix- the resulting product was very "done" sounding once it was tracked. I think it would work well on horns and drum overheads as well, and as a room mic. I think it's a great competitor to the Neumann TLM mics or AKG C414s at a much lower price. If you're looking to step up to a pro-level condenser, it's hard to go wrong with this one.