Behringer Shark DSP110 Feedback Filter And Preamplifier
No longer available at zZounds
Boost your sound and leave the feedback behind with the Behringer Shark DSP110 Feedback Filter and Preamplifier from Behringer.
Overview
Whether in combination with microphones or as a delay line for speaker systems, the Behringer DSP110 Shark Feedback Filter And Preamplifier is the perfect answer to all your problems - live and in the studio. The optionally available rack-mount kit for five DSP110 Sharks gives you five times the power.
Mic Preamp, Di Box, Level Converter: As You Like It
Talk about flexibility: the Behringer… read more DSP1100P Shark sports line-level servo-balanced inputs and outputs (XLR and 1/4" phone), which can be switched to mic level at the touch of a button. Thus, the device can be inserted into your console's aux loop, between console and power amplifier or between microphone and console. The DSP1100P Shark's adjustable mic preamp with switchable +48 V phantom power and Ultra- Low Noise technology guarantees noise-free, ultra-musical sound. You can choose professional studio (+4 dB) or microphone output level, so that the Shark can even be directly connected to the mic input of your portable DAT recorder. Virtually anything can be connected and converted.
Automatic Noise Gate, High-Pass Filter, and Compressor: It's All Yours
The Behringer DSP1100P Shark's fully automatic noise gate with its "Learn" mode not only suppresses noise during silent passages, but also prevents resonance build-up with complex signals like acoustic instruments, and gives you the option to set the threshold manually. The subsonic filter with its freely adjustable cutoff frequency eliminates difficult low-frequency disturbances. The compressor offers effective signal density enhancement and overload protection with only 2 parameters: Density and Speed. It doesn't get much easier. The best is just good enough for you? No problem. The DSP110 Shark is constructed using selected high-quality components. 24-bit A/D and D/A converters guarantee optimal audio quality. And a high-power 24-bit DSP from Texas Instruments handles the internal processing.
We Make Sure You See Everything
In spite of its compact dimensions, the Behringer DSP1100P Shark offers maximum transparency of operation. A 6-segment LED chain with clipping indicator displays the internal level. 12 further LED's indicate filter status, and a 4-digit multi-functional display assists in setting delay times, noise gate threshold, compression ratio, and subsonic filter cutoff frequency.
Whether as a Stand-alone Device or as a "Five Pack" in your Rack, Behringer's Shark DSP110 Will Soon be a Partner You Won't Want To Do Without - On Any Stage in the World!
- 24-bit A/D and D/A converters
- Delay line with up to 2.5 seconds of delay, adjustable in meters, feet, and msec.
- Automatic noise gate with learn mode and manual adjustment
- Super-musical compressor with variable density
- Microphone preamp with ULN technology, gain control, and +48 V phantom power
- Level conversion from line to mic level and vice versa
- Rugged external power supply for maximum signal integrity and enormous headroom
- Subsonic filter with adjustable cutoff frequency
- Servo-balanced inputs and outputs with XLR and 1/4" TRS connectors
- 19" rack-mount kit for 5 SHARKs (optional)
- Status LEDs for all 12 filters
- 6-segment LED chain with clipping indicator
- 4-digit multi-functional display
- Manufactured under ISO9000 certified management system read less
Crystal Clear Sound Without Feedback. Guaranteed
Thanks to its intelligent "Learn Mode," the Behringer DSP110 Shark can automatically equalize your PA. Behringer's ingenious search algorithm assures that feedback frequencies are attenuated within fractions of a second, using the same narrow, 1/60 octave single-shot filters that work so well for the new DSP1100P. The remaining of the Shark's 12 filters automatically take action as required. Only feedback frequencies are attenuated, leaving your music powerful and live, and allowing a volume increase of up to 9 dB - the equivalent of 800 percent more power!The Perfect Delay Tactic
Delay lines are required to compensate for time variations resulting from speaker positioning. The Behringer DSP1100P Shark's clever technology enables you to fit this bill to a T: the delay can be adjusted in meters, feet, or milliseconds. The maximum delay time of 2.5 seconds corresponds to a distance of 850 meters. Combining several Shark's with the optional rack-mount kit puts a complete professional speaker management system at your fingertips.Mic Preamp, Di Box, Level Converter: As You Like It
Talk about flexibility: the Behringer… read more DSP1100P Shark sports line-level servo-balanced inputs and outputs (XLR and 1/4" phone), which can be switched to mic level at the touch of a button. Thus, the device can be inserted into your console's aux loop, between console and power amplifier or between microphone and console. The DSP1100P Shark's adjustable mic preamp with switchable +48 V phantom power and Ultra- Low Noise technology guarantees noise-free, ultra-musical sound. You can choose professional studio (+4 dB) or microphone output level, so that the Shark can even be directly connected to the mic input of your portable DAT recorder. Virtually anything can be connected and converted.
Automatic Noise Gate, High-Pass Filter, and Compressor: It's All Yours
The Behringer DSP1100P Shark's fully automatic noise gate with its "Learn" mode not only suppresses noise during silent passages, but also prevents resonance build-up with complex signals like acoustic instruments, and gives you the option to set the threshold manually. The subsonic filter with its freely adjustable cutoff frequency eliminates difficult low-frequency disturbances. The compressor offers effective signal density enhancement and overload protection with only 2 parameters: Density and Speed. It doesn't get much easier. The best is just good enough for you? No problem. The DSP110 Shark is constructed using selected high-quality components. 24-bit A/D and D/A converters guarantee optimal audio quality. And a high-power 24-bit DSP from Texas Instruments handles the internal processing.
We Make Sure You See Everything
In spite of its compact dimensions, the Behringer DSP1100P Shark offers maximum transparency of operation. A 6-segment LED chain with clipping indicator displays the internal level. 12 further LED's indicate filter status, and a 4-digit multi-functional display assists in setting delay times, noise gate threshold, compression ratio, and subsonic filter cutoff frequency.
Whether as a Stand-alone Device or as a "Five Pack" in your Rack, Behringer's Shark DSP110 Will Soon be a Partner You Won't Want To Do Without - On Any Stage in the World!
Features:
- Automatic feedback suppressor with learn function- 24-bit A/D and D/A converters
- Delay line with up to 2.5 seconds of delay, adjustable in meters, feet, and msec.
- Automatic noise gate with learn mode and manual adjustment
- Super-musical compressor with variable density
- Microphone preamp with ULN technology, gain control, and +48 V phantom power
- Level conversion from line to mic level and vice versa
- Rugged external power supply for maximum signal integrity and enormous headroom
- Subsonic filter with adjustable cutoff frequency
- Servo-balanced inputs and outputs with XLR and 1/4" TRS connectors
- 19" rack-mount kit for 5 SHARKs (optional)
- Status LEDs for all 12 filters
- 6-segment LED chain with clipping indicator
- 4-digit multi-functional display
- Manufactured under ISO9000 certified management system read less
Specs
Audio Inputs
Connectors: XLR and 1/4" phone
Type: RF filtered, servo-balanced input
Impedance: 6 kW balanced, 3 kW unbalanced
Nominal Operating Level: microphone or line level source (switchable)
Max. Input Level: +19 dBu at microphone level and line level
Audio Outputs
Connectors: LR and 1/4" phone
Type: electronically servo-balanced output stage
Impedance: 60 W balanced, 30 W unbalanced
Nominal Operating Level: microphone level source or +4 dBu (switchable)
Max. Output Level: +20 dBu at +4 dBu nominal level, -12 dBu at microphone level
System Specifications
Frequency Response: 10 Hz to 21 kHz
Noise: > 92 dB at line level, unweighted, 22 Hz to 22 kHz
> 89 dB at microphone level, unweighted, 22 Hz to 22 kHz
THD: 0.007 % typ. @ +4 dBu, 1 kHz, gain 1
Digital Processing
Converters: 24-bit Sigma-Delta, 64/128x oversampling
Sampling Rate: 46.875 kHz
Display
Type: 4-digit numeric LED display
Power Supply
Mains Voltages: USA/Canada 120 V ~, 60 Hz, PSU DSP110UL
U.K./Australia 240 V ~, 50 Hz, PSU DSP110UK
Europe 230 V ~, 50 Hz, PSU DSP110EU
Japan 100 V ~, 60 Hz, PSU DSP110JP
General export model 100 - 120 V ~, 200 - 240 V ~, 50 - 60 Hz
Physical
Dimensions (H x W x D): 2.2 x 3.5 x 5.1 in. (56 x 88 x 130mm)
Net Weight: approximately 0.5 kg
Connectors: XLR and 1/4" phone
Type: RF filtered, servo-balanced input
Impedance: 6 kW balanced, 3 kW unbalanced
Nominal Operating Level: microphone or line level source (switchable)
Max. Input Level: +19 dBu at microphone level and line level
Audio Outputs
Connectors: LR and 1/4" phone
Type: electronically servo-balanced output stage
Impedance: 60 W balanced, 30 W unbalanced
Nominal Operating Level: microphone level source or +4 dBu (switchable)
Max. Output Level: +20 dBu at +4 dBu nominal level, -12 dBu at microphone level
System Specifications
Frequency Response: 10 Hz to 21 kHz
Noise: > 92 dB at line level, unweighted, 22 Hz to 22 kHz
> 89 dB at microphone level, unweighted, 22 Hz to 22 kHz
THD: 0.007 % typ. @ +4 dBu, 1 kHz, gain 1
Digital Processing
Converters: 24-bit Sigma-Delta, 64/128x oversampling
Sampling Rate: 46.875 kHz
Display
Type: 4-digit numeric LED display
Power Supply
Mains Voltages: USA/Canada 120 V ~, 60 Hz, PSU DSP110UL
U.K./Australia 240 V ~, 50 Hz, PSU DSP110UK
Europe 230 V ~, 50 Hz, PSU DSP110EU
Japan 100 V ~, 60 Hz, PSU DSP110JP
General export model 100 - 120 V ~, 200 - 240 V ~, 50 - 60 Hz
Physical
Dimensions (H x W x D): 2.2 x 3.5 x 5.1 in. (56 x 88 x 130mm)
Net Weight: approximately 0.5 kg
Documents and Manuals
For support or warranty questions, please contact the manufacturer:
Web: https://www.behringer.com/service.html
Web: https://www.behringer.com/service.html
Reviews
Reviewers gave this product an overall rating of 4 out of 5 stars.
(35 ratings)
Submitted January 20, 2011 by a customer from yahoo.com
"budget solution for your stage mic"
for now its good. I would like to have higher grade preamp like summit audio 2ba 221 or safe sound p1, but can not afford them at the moment. I' ve learned to live with the shark. it fits nicely in my laptop bag together with the wireless set and cables.
Sound
it is very hard to find the sweet spot, but I've found it with a lot of trial/error. the manual is not very instructive. they have to show some examples, or some starting point. I use it with my wirelles shure sm86 handheld mic for live performance.I turn the mic gain at two o' clock(watch the leds), low cut at 90 hz,gate at 60-70, compressor at 15/100,and the filter at auto 25/6. that way it works.from the shark to line input in the mixer. the sound is full, open and punchy. it projects easily through the mix but lacks warmth or smoothness. different settings are not good or distort. before I also used behringer's mic100 tube preamp. while warmer, it made a lot of noice and feedback and muffled the tone. the shark is cleaner and cuts the mix like a real shark in the water :)
Features
nice features, I use all but the delay.low cut is very useful, the compressor is very mysterious,I dont get the concept of "density",and the speed is not clear - is this atack,reliese or a combo?!? but I found my setting: 15 for density and 100 for speed. the filter affects the sound a lot if you push it hard.it loses sparkle. I leave it at very subtle setting 25/6,and take care… read more of moving with the mic. I would appreciate if behringer offer similar suisse knife product in car radio size with some tube(warming) emulation and some analog delay, for singers on the move. it would be bestseller.
Ease of Use
relatively easy to learn it, but not easy to get good sound. the manual does not tell you how to set the device. it only explains the features.this product is not for ingeneers only, so they have to give some guidance for customers.
Quality
no complaint. it feels sturdy,is very small, fits everywhere. the power input seems to be most vulnerable, but I take care when I connect it.
Value
of course.
Manufacturer Support
I needed some answers about how to use the device. sent the questions on their site and recieved prompt answer.
The Wow Factor
it's a nice little device.
Musical Background:
active musician
Musical Style:
folk singer read less
Sound
it is very hard to find the sweet spot, but I've found it with a lot of trial/error. the manual is not very instructive. they have to show some examples, or some starting point. I use it with my wirelles shure sm86 handheld mic for live performance.I turn the mic gain at two o' clock(watch the leds), low cut at 90 hz,gate at 60-70, compressor at 15/100,and the filter at auto 25/6. that way it works.from the shark to line input in the mixer. the sound is full, open and punchy. it projects easily through the mix but lacks warmth or smoothness. different settings are not good or distort. before I also used behringer's mic100 tube preamp. while warmer, it made a lot of noice and feedback and muffled the tone. the shark is cleaner and cuts the mix like a real shark in the water :)
Features
nice features, I use all but the delay.low cut is very useful, the compressor is very mysterious,I dont get the concept of "density",and the speed is not clear - is this atack,reliese or a combo?!? but I found my setting: 15 for density and 100 for speed. the filter affects the sound a lot if you push it hard.it loses sparkle. I leave it at very subtle setting 25/6,and take care… read more of moving with the mic. I would appreciate if behringer offer similar suisse knife product in car radio size with some tube(warming) emulation and some analog delay, for singers on the move. it would be bestseller.
Ease of Use
relatively easy to learn it, but not easy to get good sound. the manual does not tell you how to set the device. it only explains the features.this product is not for ingeneers only, so they have to give some guidance for customers.
Quality
no complaint. it feels sturdy,is very small, fits everywhere. the power input seems to be most vulnerable, but I take care when I connect it.
Value
of course.
Manufacturer Support
I needed some answers about how to use the device. sent the questions on their site and recieved prompt answer.
The Wow Factor
it's a nice little device.
Musical Background:
active musician
Musical Style:
folk singer read less
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